“Backseat Freestyle” by Kendrick Lamar-This Compton, Calif.“Forgot About Dre” reminded the haters that a musical genius always has a place in the game because classics trump trends. But by the late 1990s, some hip-hop heads started viewing Dre as a has been.
Dre, the producer behind classic albums by N.W.A, Eazy-E, The D.O.C., Snoop Doggy Dogg and Michel’le. Dre featuring Eminem-It is hard to imagine a time when a generation of rap fans did not appreciate the accomplishments of Dr. “Stan” tells the story of an obsessed Eminem fan who kills himself and his pregnant girlfriend after getting shunned by his favorite rapper.
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One of the coldest behind the mic as far as bars are concerned, knows how to tug at listeners’ hearts as well. “Stan” by Eminem-Haters can say what they want about Black people not jamming Eminem at cookouts and parties, but non-haters know of his impact (lyrically and emotionally) on hip-hop music.“Dreams” told Game’s rags to riches story of getting shot five times, learning to rap while in the hospital to becoming the savior of West Coast hip-hop. However, his impact still resonates as he brought the spotlight back to West Coast emcees in the early 2000s with his turbulent stories as a Bloods gang member combined with his lyrical prowess. “Dreams” by The Game-The Game’s Aftermath Entertainment tenure did not last long.Who can’t relate to having one opportunity to make one’s dreams come true? Do you rise to the occasion or fail miserably? However, he made up for it years later with a surprise performance at the Oscars. Eminem, infamously, did not show up the year he received the award. “Lose Yourself” by Eminem-Marshall Mathers made history with this joint, becoming the first hip-hop song to win an Academy Award.In honor of Dre’s upcoming performance at the Super Bowl, has selected the 10 best songs from the Aftermath Entertainment catalogue.īe sure to tell Regal what it got right, and why the writers of the magazine have possibly lost their minds with their choices. native also found his golden ear again discovering music legends like 50 Cent, The Game, Kendrick Lamar and Anderson. Once again Dre found his stride again as a solo artist, releasing classic solo albums, “2001” and “Compton.” However, when a White boy from Detroit named Eminem fell in Dre’s lap, Aftermath Entertainment found new life.
The New York super-group The Firm, which consisted of Nas, Foxy Brown, AZ and Nature, flopped. Dre Presents the Aftermath” compilation album and it’s lead single “Been There, Done That” fell on deaf ears. His attempt to leave gangsta rap behind with the “Dr.
Dre left the “untouchable” Death Row Records, his career seemed influx. It was just writers in a room churning out product all day long.Rapper Kendrick Lamar has released three studio albums via a partnership between Aftermath Entertainment and Top Dawg Entertainment. "When I think of how he worked us, it’s no wonder he didn’t get anything out of it. But no useable songs came out of it," Drake told Seabrook. "It was some of the most strenuous militant shit I’ve ever done. Drake is even quoted in the book, which proves all of this did indeed happen, but that it just wasn't with Death Row Records. This would then place the timeframe around 2005, way before Drizzy had blown up in the rap game and while Dre was still working on an album that was then known as Detox. Seeing that Dre left Suge Knight's Death Row label in 1996, that didn't really make sense since Drake was only 10 years old at the time.ĭJ Booth reached out to Seabrook about it, and he clarified that Drake told him he was 19 when he was in Los Angeles working with Dre. Dre in Los Angeles for Death Row Records. In an excerpt from the book, which was first posted by Genius, Seabrook wrote that Drake worked as a songwriter for Dr. A little bit of hip-hop history may have been confirmed by DJ Booth today, and originally uncovered thanks author John Seabrook and his recent book, The Song Machine: Inside the Hit Factory.
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